
Songs, roads and the things she carries.
THE COLLECTION · FIRST EDITION
Open a story. Stay for a song.
Worlds that grow, a page at a time.
LATEST RELEASE
Different Ceilings: five songs, four alternate takes, Eric’s introduction and supplied lyric pages from ANN’s world.
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SONGS. STORIES. THE SPACES BETWEEN.
Some stories are told in songs.
Some are in what’s left unsaid.
A guitar. The next town. Somewhere to sleep tonight.
Follow ANN’s world, one piece at a time.

DEAD ENDS — ROADS & BRIDGES
There comes a point when the question changes. It stops being “Can I make this work?” and becomes “How much more of myself am I prepared to give it?”
Eric spent time with ANN, but never learned her name. His voice opens the door; the songs carry you through.

“Stand on the edge,
feel the cold wind blow —
decide what to keep
and what to let go.”

THANKS FOR COMING · A TALE WITHIN THE SONG
“Why Fell Diamond?”
“Neil was already taken.”
Four in the afternoon. A busy shopfront. ANN tunes her guitar and puts out a little bowl. Eric finds a place to sit.
HOLD ON TO YOUR HEART · AFTER THE GOODBYE
ANN kept working on the future. The plans, the songs, the next thing that needed doing. She did not realise she was drifting away from the person she meant to share it with.
Her partner called, emailed and tried to reach her, but did not feel heard. While she was building their dream, the relationship was losing the attention it needed.
“I cannot fight for your love no more. It's over.”
It came as a shock to ANN. Her first real love—the person she felt was her equal—was gone. She had been so certain of where they were going that she had not seen how far apart they had become.
Hold On to Your Heart follows that loss. She knows her partner is not coming back. Knowing does not stop her turning to tell her partner something, or reaching for the place where they used to be.
A.N.N · Songs from the unfolding book
Different Ceilings · Alternate takes
BETWEEN CHAPTERS
ANN is twenty-one. She busks, plays clubs and moves between towns. Sometimes a hotel. Sometimes an aunty’s place. She rarely stays long.
Her hands know what to do. Her thoughts might be on tonight, or something a lyric has brought back. She can be capable, guarded and quietly enjoying her music all at once.
FROM WILL’S NOTES ON ANN
THE VOICE AT THE EDGE OF THE STORY
A Black American Southerner who spent some time with ANN. His voice frames the story through what he witnessed. There are things about her that even he doesn’t know.
SONGS CARRY THE STORIES. ERIC SETS THE FRAME.
A MOMENT WITH THE GUITAR
PERFORMANCE STUDYA moving sketch from the developing book.
This is a world, more than an album.
A piece at a time.